Early on in our renovation process, the committee made the decision to use a professional interior designer for color selection in various pieces of our renovation. It turns out, that was a great decision. We’re working primarily with Lee, a designer on staff at Carmina Wood Morris. She came and walked around our facility, snapping photos of existing carpet, paint, furniture and other décor. Before we get to the color scheme, here’s what she had to say about why she chose these colors:
Selecting color is rarely a solitary action, in itself color is reflective and dependent on the colors, materials and lighting that surrounds it.
Careful consideration of all the materials and colors that would impact the new color scheme for the sanctuary was taken into account before presenting a new color palette for review. We wanted the new paint to highlight existing architectural details such as the wood ceiling, stained glass and plaster fins flanking the Altar.
The warm colors reflected in the wood tone of the ceiling as well as the pews and the variegated slightly cooler grays, beiges and mauves found in the brick, lead us to seek out a soft color that was in contrast to these tones, yet complementary in hue. We also took inspiration from the colors found in the stained glass, translating those colors into a “watercolor” version of the blue/green.
Ideally the new paint colors would stand alone in contrast to the surrounding palette-focusing one’s gaze forward to the Altar, while also providing a soft background for contemplative thought and prayer.
After meeting with Lee and exploring one alternate option, we quickly realized her first choice was what we wanted to go with. We like the rationale and it just feels right. We hope you like it as well! Hallways and “public” spaces will be done in three different colors. The worship center will have six total colors, five in the blue family and one in the tan. The tan in the worship center is the same tan found in the hallways, thus tying the spaces together.
Please note that the colors you see on screen will vary slightly with the actual paint choices. Printed copies will tend to be darker than the actual paint as well. Without further verbiage then, here are the pictures:

The darkest blue/green is on the wall with the cross and the paint gets lighter with each successive column as you move away from the center.

The blue along the ledge connects the back to the front. The tan along the back compliments the organ and ties the paint job into the hallways scheme.

One view of the lobby area.

Another shot of the lobby. Columns will be in the darkest tan. Most hallways and walls will be in the lightest tan, with a middle tan as accent on sections facing down.

The hallway colors will also connect nicely with the color selection in the Hall of Joy.
So, what do you think? Let us know in the comments!